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Cooley,A.E. M.G.L.Cooley@Pompeii; A sourcebook@London/New York@Routledge@2004@4,288@0415262119 Decker,W. et J.P. Thuillier@sport dans l antiquite(Le); Egypte, Grece et Rome@Paris@A. et J. Picard@2004@8,560@2708405969 Mikalson,J.D.@Ancient Greek religion@Malden,MA/Oxford@Blackwell@2005@13,880@0631232222 Staikos,K.@history of the library in western civilization from Minos to Cleopatra(The). The Greek world from the Minoans archival libraries to the universal library of the Ptolemies@MS t Goy-Houten@Hes de Graaf publishers@2004@13,610@1584561149 Young,D.C.@brief history of the Olympic games(A)@Malden,MA/Oxford@Blackwell@2004@12,620@1405111291 ギリシア Angeli Bernardini,P.(Ed.)@citta di Argo(La). Mito, storia, tradizioni poetiche. Atti del convegno internazionale (Urbino, 13-15 giugno 2002)@Roma@Edizioni dell Ateneo@2004@@888476033X Brodka,D., J.Janik and S.Sprawski(Eds.)@Freedom and its limits in the ancient world. Proceedings of a colloquium held at the Jagiellonian university Krakow, september 2003@Krakow@Wydawnictwo Universytetu Jagiellonskiego@2003@@8323318190 Cole,S.G.@Landscapes, gender, and ritual space. The ancient Greek experience@Berkeley/Los Angeles/London@California UP@2004@7,560@0520235444 Egan,R.B. M.Joyal(Eds.)@Daimonopylai. Essays in classics and the classical tradition presented to Edmund G. Berry@Winnipeg, Manitoba@University of Manitoba Centre for Hellenic civilization@2004@@097349820X Harris,E.M. L.Rubinstein(Eds.)@law and the courts in ancient Greece(The)@London@Duckworth@2004@11,360@0715631179 Harvey,D. R.Parker(Eds.)@Athenian democratic origins and other essays@Oxford@Oxford UP@2004@20,190@0199255172 Horster,M.@Landbesitz griechischer Heiligtuemer in archaischer und klassischer Zeit@Berlin/New York@de Gruyter@2004@14,380@311018219X Janka.M.(Hrsg.)@ Egkyklion kepion (Rundgaertchen). Zu Poesie, Historie und Fachliteratur der Antike. Festschrift fuer Hans Gaertner@Muenchen/Leipzig@Saur@2004@15,066@3598730179 Kolb,F.(Hrsg.)@Chora und Polis@Muenchen@Oldenbourg@2004@11,100@3486567306 Liampi,K.(Ed.)@Sylloge nummorum Graecorum. Deutschland. Staatliche Muenzsammlungen Muenchen. 10/11 Heft. Makedonien] Koenige Nr. 1-1228@Muenchen@Hirmer@2001@21,920@3777488305 Lichtenberger,A.@Kulte und Kultur der Dekapolis. Untersuchungen zu numismatischen, archaeologischen und epigraphischen Zeugnissen@Wiesbaden@Haarassowitz in Komm@2003@23,630@3447048069 Luppino Manes,E.(Ed.)@Storiografia e regalita nel mondo greco. Colloquio interdisciplinare. Cattedre di Storia della storiografia greca e Storia greca Chieti, 17-18 gennaio 2002@Alessandria@Edizioni dell Orso@2003@5,140@8876947035 Nutton,V.@Ancient medicine@London/New York@Routledge@2004@16,410@0415086116 Sartre-Fauriat,A.et A.Lezzi-Hafter(Eds.)@pierres del offrande(Les). Autour de l oeuvre de Christoph W. Clairmont@Zuerich@Akanthus Verlag fuer Archaeologie 2003@@3905083159 Schmitz,W.@Nachbarschaft und Dorfgemeinschaft im archaischen und klassischen Griechenland@Berlin@Akademie Verlag@2004@11,950@3050040173 Stenhouse,W.@Ancient inscriptions@London@The Royal collection enterprises in association with Harvey Miller publishers@2002@@1872501451 Walker,K.G.@Archaic Eretria. A political and social history from the earliest times to 490 BC@London/New York@Routledge@2004@16,410@0415285526 ローマ Balbo,A.(Ed.)@frammenti degli oratori romani dell eta augustea e tiberiana(I). Parte prima Eta augustea@Alessandria@Edizioni dell Orso@2004@3,430@8876947434 Byrne,S.G.@Roman citizens of Athens@Leuven/Dudley,MA@Peeters@2003@13,700@9042913487 Camous,T.@roi et le fleuve(Le). Ancus Marcius Rex aux origines de la puissance romaine@Paris@Belles lettres@2004@@2251326561 Cristofori,A.@Non arma virumque. Le occupazioni nell epigrafia del Piceno@Bologna@Lo Scarabeo@2004@9,930@ Gardner,I S. N. C. Lieu@Manichaean texts from the Roman empire@Cambridge@Cambridge UP@2004@12,620@052156090X Gruenewald,T.@Bandits in the Roman empire. Myth and reality. Translated by John Drinkwater@London/New York@Routledge@2004@15,150@041532744X Hackl,U. H.Jenni C.Schneider@Quellen zur Geschichte der Nabataeer. Textsammlung mit Uebersetzung und Kommentar@Freiburg,Schweiz/Goettingen@Universitaetsverlag/Vandenhoeck Ruprecht@2003@15,240@3727814101 Henderson,J.@Morals and villas in Seneca s Letters. Places to dwell@Cambridge@Cambridge UP@2004@11,360@0521829445 Korhonen,K.@iscrizioni del museo civico di Catania(Le). Storia delle collezioni --Cultura epigrafica-- Edizione@Helsinki@Societas scientiarum Fennica@2004@@9516533280 Le Bohec,Y. C.Wolff(Eds.)@armee romaine de Diocletien a Valentinien Ier(L ). Actes du congres de Lyon (12-14 septembre 2002) rassembles et edites@Lyon/Paris@de Boccard@2004@@2904974253 Marcellesi,M.C.@Milet des Hecatomnides a la domination romaine. Pratiques monetaires et histoire de la cite du IVe au IIe siecle av. J.-C.@Mainz@von Zabern@2004@8,480@3805328591 Morstein-Marx,R.@Mass oratory and political power in the later Roman republic@Cambridge@Cambridge UP@2004@12,620@0521823277 Murphy,T.@Pliny the Elder s Natural History. The empire in the encyclopedia@Oxford@Oxford UP@2004@12,620@0199262888 Potter,D.S.@Roman empire at Bay AD 180-395(The)@London/New York@Routledge@2004@6,310@0415100577 Remy,B(Ed.)@Inscriptions latines de Narbonnaise (I.L.N.). V.5, t.1 Vienne@Paris@CNRS editions@2004@10,280@227106113X Remy,B(Ed.)@Inscriptions latines de Narbonnaise (I.L.N.). V.5, t.2 Vienne@Paris@CNRS editions@2004@10,280@2271062209 Ridley,R.@emperor s retrospect(The). Augustus Res gestae in epigraphy, historiography and commentary@Leuven/Dudley,MA@Peeters@2003@11,990@9042913479 Selinger,R.@mid-third century persecutions of Decius and Valerian@Frankfurt am Main/Berlin/Bern/Bruxelles/New York/Oxford/Wien@Lang@2004@6,680@3631377169 Meyer,E.A.@Legitimacy and law in the Roman world. Tabulae in Roman belief and practice@Cambridge@Cambridge UP@2004@12,620@0521497019 Winsor Leach,E.@social life of painting in ancient Rome and on the Bay of Naples(The)@Cambridge@Cambridge UP@2004@16,410@0521826004
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発売中 公式サイト http //www.ninjagaiden.jp/ngs2/ 11月13日 セクシー衣装で悩殺!?『NINJA GAIDEN Σ2』追加コスチュームをDL販売/ゲーム情報ポータル：ジーパラドットコム http //www.gpara.com/article/cms_show.php?c_id=17080 c_num=14 10月21日 総合ゲーム情報サイト Online Player EX PS3向けアクション「NINJA GAIDEN Σ2」の魅力を伝える“EXTRA MOVIE”のメイキング映像が配信開始 [ 最新ニュース ] http //www.onlineplayer.jp/modules/topics/article.php?storyid=15709 10月9日 PS3「NINJA GAIDEN Σ2（ニンジャガイデン シグマ2）」プロモーションビデオ - GameSpot Japan http //japan.gamespot.com/ps3/videos/story/0,3800076101,20401421,00.htm 10月1日 海外レビューハイスコア『NINJA GAIDEN Σ2』 http //gs.inside-games.jp/news/204/20415.html 公式更新 http //www.ninjagaiden.jp/ngs2/ 9月27日 止まらない爽快感に打ち震える「NINJA GAIDEN Σ2」プレイレポート http //www.4gamer.net/games/087/G008776/20090927014/ 9月17日 『NINJA GAIDEN Σ2』体験版、あやねチャプターもプレイ可能 http //news.dengeki.com/elem/000/000/195/195481/ 「あやね」の動きもチェック！『NINJA GAIDEN Σ2』無料体験版配信 http //www.gpara.com/article/cms_show.php?c_id=16066 c_num=14 NINJA GAIDEN Σ2 Final Trailer http //www.nicovideo.jp/watch/1253159829 公式更新 http //www.ninjagaiden.jp/ngs2/ 9月16日 ↑ ↓ http //www.nicovideo.jp/watch/1253097581 9月14日 PS3『NINJA GAIDEN Σ2』第3弾トレーラー掲載＆体験版配信決定！ http //www.inside-games.jp/article/2009/09/14/37648.html 9月11日 『ニンジャガΣ2』トレーラー第3段公開！ 17日には体験版も!! http //news.dengeki.com/elem/000/000/194/194032/ 『ニンジャガΣ2』公式更新 http //www.ninjagaiden.jp/ngs2/ 「NINJA GAIDEN Σ2」迫力のアクションシーンが詰まったムービートレイラーを公開。体験版の配信は9月17日に決定！ http //www.4gamer.net/games/087/G008776/20090911030/ 『NINJA GAIDEN Σ2（ニンジャガイデン シグマ2）』の公式サイトにて、トレーラー第3弾が公開 http //www.famitsu.com/game/news/1227496_1124.html
https://w.atwiki.jp/cohstatsjp/pages/272.html
Vehicle Motorcycle Contents 1 Motorcycle Veterancy 2 Tactics 3 History 4 Built From 4.1 Wehrmacht Quarters 5 Doctrinal Abilities 5.1 Blitzkrieg 6 Vehicle Abilities 6.1 Vehicle Cover 7 Vehicle Weapons 7.1 MG42 Motorcycle Motorcycle Health 125 Max Speed 7.2 Sight 55 Cost 180 Acceleration 12 Detection 18/0 Time 30 Deceleration 9 Hotkey M Population 2 Rotation 105 Target Type vehicle_motorcycle Upkeep 2.688 Crush Human Critical Type light_vehicle Crush Mode Rear Damage Enabled false Motorcycle Veterancy [Expand][Hide] Received Damage Received Accuracy (While moving) x0.85 x0.85 Maximum Health Received Accuracy (While moving) x1.15 x0.85 Received Penetration Received Accuracy (While moving) x0.75 x0.8 Tactics The Motorcycle is a very good sniper hunting vehicle. Using it to chase down a retreating sniper is usually a good idea. Motorcycles can spot enemy positions before it can be seen, use this to your advantage. The Motorcycle is weaker than the American jeep and cannot reverse, retreat carefully. This vehicle has a better attack than the Jeep and can be used to support your Volksgrenadiers squads when they face enemy troops by killing retreating-low health squads. The Motorcycle is effective at harassing American engineer squads early in the game, and also in destroying British emplacements before they are finished. History The BMW R75 was World War II-era motorcycle and sidecar combination produced by the German company BMW. BMW were already producing a number of popular and highly effective motorcycles, and developed the R75 in response to a request from the German army for a machine more capable in off-road conditions. BMW developed a technically advanced machine in which the third side-car wheel was driven from an axle connected to the rear wheel of the motorcycle, effectively making it a three-wheeled vehicle. Fitted with a locking differential and selectable road and off-road gear ratios the R75 was highly manoeuvrable and capable of negotiating most surfaces. It was even fitted with a reverse gear. The BMW R75 and its rival the Zündapp KS 750 were both widely used by the Wehrmacht in Russia and North Africa, though after a period of evaluation it became clear that the Zündapp was the superior machine. In August 1942 Zündapp and BMW, on the urging of the Army, agreed upon standardization of parts for both machines, with a view of eventually creating a Zündapp-BMW hybrid (designated the BW 43), in which a BMW 286/1 side-car would be grafted onto a Zündapp KS 750 motorcycle. They also agreed that the manufacture of the R75 would cease once production reached 20,200 units, and after that point BMW and Zündapp would only produce the Zündapp-BMW machine, manufacturing 20,000 each year. Since the target of 20,200 BMW R75 s was not reached, it remained in production until the Eisenach factory was so badly damaged by Allied bombing that production ceased in 1944. A further 98 units were assembled by the Soviets in 1946 as reparations. Built From Wehrmacht Quarters [Expand][Hide] Health 500 Target Type building Cost 22015 Critical Type building Time 60 Hotkey W Effects Deploys Volksgrenadier Squads, Snipers, Heavy Machine Gun teams and Motorcycles. ESee Structure Wehrmacht Quarters for details. Doctrinal Abilities Blitzkrieg [Expand][Hide] Cost 150 Activation timed Duration 30 Target tp_any Recharge 60 Hotkey Effects All Tanks and Armored Vehicles move more quickly, crush everything in their path, and fire more frequently. Infantry sprint to keep pace. ESee Ability Blitzkrieg for details. Vehicle Abilities Vehicle Cover [Expand][Hide] Cost Activation always_on Duration _ Target tp_any Recharge 0 Hotkey Effects $0 no key ESee Ability Vehicle Cover for details. Vehicle Weapons MG42 Motorcycle [Expand][Hide] Weapon MG42 Motorcycle See Weapon MG42 Motorcycle for details. Retrieved from http //coh-stats.com/Vehicle Motorcycle
https://w.atwiki.jp/vipdemoe/pages/175.html
この中のキャラの内2体選んで動いてるわｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗ eraMonico 「お兄ちゃんのお○ん○ん、噛んで引っ張って爆発させるもにぃ」 最近のwarは活発だから困る http //uniuni.dfz.jp/moeclc4/?0 97 0G1D2J3I4B5IdHoDzEBKCGGHJPLFMMRB ↑現在の構成 完成予定↓ http //uniuni.dfz.jp/moeclc4/?0 97 0D1ls2K3K5J8JoTzSBKCK eraNyutaco 「お兄ちゃんのお○ん○ん、入りきらないにゅたぁ・・・」 eraPanco 「お兄ちゃんのお○ん○ん、アワビ捕るのに使えそうだもすぅ」 http //uniuni.dfz.jp/moeclc4/?3 97 0K1f03I5IgKjPxKEJGHLFMBRJ どうしてこうなった・・・ http //uniuni.dfz.jp/moeclc4/?3 97 0K3m64L5HoFxKAUEJFPGHLFRJ 収穫と料理はなくなったけど料理長ですまる スルトでバジ料理つくるわｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗ eraDacchi 「お兄ちゃんのお○ん○ん、二刀流でクリ攻めにしませんか？」 http //uniuni.dfz.jp/moeclc4/?0 97 0K2K3J5E6E9EcEoEuKAECEEKGEPE 未完成ｗｗｗｗｗｗｗｗｗｗｗｗｗ eraKoguco 「お兄ちゃんのお○ん○ん、ポールシフトに使えそうこぐぅ」 http //uniuni.dfz.jp/moeclc4/?1 97 0F3H4bM5E9EaEdEhjwjEwEzRGHLSMMNWPEQWREXT 結局こうなったわｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗ パフォきったから海戦士である必要性を感じなくなったがｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗｗ 神殿乞食プロめざすかｗｗｗｗｗｗｗｗｗせやなｗｗｗｗｗｗｗｗｗｗｗｗ eraKogune -消した- eraUmawo 「お兄ちゃんのお○ん○ん、ショートボウうまぁ」 ウマクロのパクリしよかｗｗｗｗｗｗｗｗｗｗｗ http //uniuni.dfz.jp/moeclc4/?3 97 0K3F5HeKfKkKmKLFMENWOEQWRB 採掘鍛冶ageあるってなるとMINとりづれーから合体させるわ 80までならMG余裕っしょｗｗｗｗｗｗｗｗｗｗｗ木工メインだけどなｗｗｗｗｗｗｗｗｗｗｗｗｗ eraNekosan -復活した- 名前
https://w.atwiki.jp/melty_cmv/pages/39.html
※FM6，月談は別ページにあります。 ※月劇名義の動画はそちらのページにおきます。 ※黒鍵さんと同じ人らしいので合流しました。 MBAA MBAC ReACT シエルコンボムービー MBAA [MBAACC] ワラキアコンボムービー「bye N, by N」 CC nico http //www.nicovideo.jp/watch/sm21948364 Novice 「MBAACC」7次 コンボムービー「月夜」 CC YouTube https //www.youtube.com/watch?v=QAAf8_WqSLg nico http //www.nicovideo.jp/watch/sm26297624 MBAC マリアの爪痕 AC Mgoon http //video.mgoon.com/2203158 Nightmare AC YouTube https //www.youtube.com/watch?v=dcamT9hucL8 nico http //www.nicovideo.jp/watch/sm2367457 Daum http //tvpot.daum.net/clip/ClipView.do?clipid=7028774 (27752495) ある意味、ver.B2レンの最先端のコンボ。 月光 another AC YouTube https //www.youtube.com/watch?v=-9N6pkvFplw Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27752180 Northern Cross AC imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 nico http //www.nicovideo.jp/watch/sm5150263 Dry?の別ver.のようです。ネタ部分が違ったりします。 Dice AC Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27752725 Naver http //video.naver.com/2008122213405230944 Dice ~another~ AC YouTube https //www.youtube.com/watch?v=Eob-UsZQNmE Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27765909 贖罪 AC YouTube https //www.youtube.com/watch?v=FzhO4PtMlYw Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27765823 編集はCaMilreさんです celestia battle AC Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27752349 Cokeaholic AC Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27765670 めちゃくちゃｗｗｗ Cokeaholic -short version- AC YouTube https //www.youtube.com/watch?v=rnHrCLRvcOE Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27752420 That s it AC YouTube https //www.youtube.com/watch?v=m2kjnnbW_M8 Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27757055 PandoraTV http //www.pandora.tv/my.dlth2001/39854252 Data AC PandoraTV http //www.pandora.tv/my.jhbea2022/35517832 Do it AC PandoraTV http //www.pandora.tv/my.dlth2001/39854269 極 AC Daum http //tvpot.daum.net/clip/ClipView.do?clipid=15124032 七夜 コンボムービー [DANDAN心魅かれてく] AC YouTube https //www.youtube.com/watch?v=ZdNV9S4t_V0 nico http //www.nicovideo.jp/watch/sm9212118 Daum http //tvpot.daum.net/clip/ClipView.do?clipid=20590608 PandoraTV http //www.pandora.tv/my.dlth2001/39854276 질풍가도 AC Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27927816 Pandora http //channel.pandora.tv/channel/video.ptv?ch_userid=dlth2001 prgid=39840024 For Fantasia AC YouTube https //www.youtube.com/watch?v=VlWyy7NjYes Daum http //tvpot.daum.net/clip/ClipView.do?clipid=29445230 ダメレベ？ what AC Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27757153 Final edit AC YouTube https //www.youtube.com/watch?v=svaeZnVWhAY Daum http //tvpot.daum.net/clip/ClipView.do?clipid=17375609 冒頭にFTが混ざってますが主にACです。 ReACT emerald sword 2.0x Naver http //video.naver.com/2007090921373053327 かなり昔のver.のようです。 Shizuku FT YouTube https //www.youtube.com/watch?v=rhAHSygv2Qo Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27756978 Mgoon http //video.mgoon.com/2287186 Melty blood CMV 2FT YouTube https //www.youtube.com/watch?v=UW7EopETz4M Vanish FT Daum http //tvpot.daum.net/clip/ClipView.do?clipid=5078657 魔弾 ~Der Freischutz~ FT YouTube https //www.youtube.com/watch?v=F9sxACVmaag Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27751837 AIR FT YouTube https //www.youtube.com/watch?v=LkbFHvJR-vE Daum http //tvpot.daum.net/clip/ClipView.do?clipid=67647042 Melty blood CMV 6 FT YouTube https //www.youtube.com/watch?v=tn0VFwCVBWc Nasty Nail FT YouTube https //www.youtube.com/watch?v=H3uxCjvbkuo zips FT YouTube https //www.youtube.com/watch?v=l2W_KNGbJvk Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27757253 言葉より大切なもの FT Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27752107 Dawn of victory FT YouTube https //www.youtube.com/watch?v=gySLiEGvy5U Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27752590 月光蝶 Dragon blade FT YouTube https //www.youtube.com/watch?v=Pl5dgwprKMg Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27752275 Sin FT imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Mgoon http //video.mgoon.com/2705141 Zuerst einigen FT Pandora http //www.pandora.tv/my.dlth2001/36463356 Sekunde einigen FT Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27766185 Pandora http //channel.pandora.tv/channel/video.ptv?ch_userid=dlth2001 prgid=36470812 Mgoon http //video.mgoon.com/2705103 赤主ｗｗ Distortion FT Daum http //tvpot.daum.net/clip/ClipView.do?clipid=1818564 ネタムビっぽいもの シエルコンボムービー シエルコンボムービー AC YouTube http //www.youtube.com/watch?v=Er2kY9xSkPg Daum http //tvpot.daum.net/clip/ClipView.do?clipid=27753008 メルブラ シエルコンボムービー２ AC YouTube http //www.youtube.com/watch?v=ODgsOdqfOzc メルブラ シエルコンボムービー3 AC YouTube http //www.youtube.com/watch?v=JHvrggsfg4g
https://w.atwiki.jp/elvis/pages/1843.html
Star Wars From Concept to Screen to Collectible Chronicle BooksStephen J. SansweetSteve EssigDavid Tucker Controversies In Rheumatology Dunitz Martin Ltd?David A. Isenberg?Lori B. Tucker? Invisible Men Finding, Engaging, and Inspiring Men in Therapy Zeig Tucker & Theisen Inc?David Grove?Rhonda Burnaugh? Under Criticism Essays for William H. Pritchard Ohio Univ Pr?William H. Pritchard?Herbert F. Tucker?David Sofield? Empirical Research in Logotherapy and Meaning-oriented Psychotherapy Zeig,Tucker & Co,US?Alexander Batthyany?David Guttmann? Mugwumps Public Moralists of the Gilded Age Univ of Missouri Pr?David M. Tucker? The Imperial Temptation The New World Order and America's Purpose Council on Foreign Relations?David C. Hendrickson?Robert W. Tucker? Lieutenant Lee of Beale Street Vanderbilt Univ Pr?David M. Tucker? Rugby Trip Stories Y Lolfa?David Jandrell?Matthew Tucker?Sion Jones? Memphis Since Crump Bossism, Blacks and Civic Reformers, 1948-1968 Univ of Tennessee Pr?David M. Tucker? Arkansas A People and Their Reputation Memphis State Univ Pr?David M. Tucker? The Imperial Temptation The New World Order and America's Purpose Council on Foreign Relations?Robert W. Tucker?David C. Hendrickson? Circles of Blessing Redemption in the Rainforest William Carey Library Pub?David A. Tucker?Arlene Knickerbocker? Underwater Observation Using Sonar Fishing News Bks.?David G Tucker? Art After Modernism Rethinking Representation (Art Criticism and Theory) David R Godine Pub?Brian Wallis?Marcia Tucker? Tobacco An International Perspective State Mutual Book &?David Tucker Environmental Design for Public Projects Water Resources Pubns?David Hendricks?Evan Vlachos?Scott Tucker?Joseph Kellogg? The Anatomy of Russian Defense Coversion Vega Pr?David Holloway?William Perry?James Goody?Michael Intrilgator?Ward Hanson?Jonathan Tucker? The Fry Site Archaeological and Ethnohistorical Perspectives on the Maumee River Ottawa of Northwest Ohio Lulu.Com?David M. Stothers?Patrick M. Tucker? Antarctica and the Arctic The Complete Encyclopedia Firefly Books Ltd?Lynn Woodworth?David McGonigal?Tracy Tucker? Quilt Treasures of Great Britain The Heritage Search of the Quilters' Guild Rutledge Hill Pr?Janet Rae?Margaret Tucker?Dinah Travis?Pauline Adams?Bridget Long?Deryn O Connor?Tina Fenwick Smith?David Cripps? The New Interpreter's Bible General Articles Introduction, Commentary, Reflections for Each Book of the Bible Including the Apocryphal/Deuterocanonical Books in Twelve volume (New Interpreter's Bible) Abingdon Pr?David L. Peterson?Gene M. Tucker?Christopher R. Seitz? Late for Work Mariner Books?David Tucker Physical Medicine and Rehabilitaion Neuropsychological Assessment (Physical Medicine and Rehabilitation) Hanley & Belfus?Stephanie L. Hanson?David M. Tucker? Handbook Of Biodiversity Methods Survey, Evaluation And Monitoring Cambridge Univ Pr (Sd)?David Hill?Matthew Fasham?Graham Tucker?Michael Shewry?Philip Shaw? Where to Watch Birds in Devon and Cornwall Routledge Kegan & Paul?David Norman?Vic Tucker? Old Testament Interpretation Past, Present, and Future Essays in Honor of Gene M. Tucker Abingdon Pr?Gene M. Tucker?David L. Petersen?Kent Harold Richards? World War II A Student Encyclopedia ABC-Clio Inc?Allan R. Millett?David T. (DRT) Zabecki?Spencer C. Tucker?Priscilla Mary Roberts?Jack Greene?Cole C. Kingseed?Malcolm Muir? Fall of the First British Empire Johns Hopkins University Press?Robert W. Tucker?David C. Hendrickson? Where to Watch Birds in Devon and Cornwall (Where to Watch Birds) Christopher Helm Publishers Ltd?David Norman?Vic Tucker? Where to Watch Birds in Devon Cornwall Including the Isles of Scilly Lundy (Where to Watch Birds) A & C Black?David Norman?Vic Tucker?Steve Bird?Peter Harrison? Where to Watch Birds in Devon and Cornwall (Where to Watch Birds) Christopher Helm Publishers Ltd?David Norman?Vic Tucker?Peter Harrison?Steve Bird? Star Wars From Concept to Screen to Collectible Diane Pub Co?Stephen J. SansweetSteve EssigDavid Tucker Snoring and Obstructive Sleep Apnea Lippincott Williams & Wilkins?David N. F. Fairbanks?Samuel A. Mickelson?B. Tucker Woodson? The Women Who Made Television Funny Ten Stars of 1950's Sitcoms Mcfarland & Co Inc Pub?David C. Tucker? Second Language Education (Encyclopedia of Language and Education) Springer?G. Richard Tucker?David Corson? Canon, Theology, and Old Testament Interpretation Essays in Honor of Brevard S. Childs Fortress Pr?Gene M. Tucker?David L. Petersen?Robert R. Wilson? Star Wars From Concept to Screen to Collectible Chronicle BooksStephen J. SansweetSteve EssigDavid Tucker The Fall of the First British Empire Origins of the War of American Independence Johns Hopkins Univ Pr?Robert W. Tucker?David C. Hendrickson? Kitchen Gardening in America A History Iowa State Pr?David M. Tucker? Under Criticism Essays for William H. Pritchard Ohio University Press?David Sofield?Herbert F. Tucker? Government by the People Texas Version Prentice Hall College Div?James MacGregor Burns?J. W. Peltason?Thomas E. Cronin?David B. Magleby?Tucker L. Gibson?Clay Robison? Statecraft and Power Essays in Honor of Harold W. Rood Univ Pr of Amer?Christopher C. Harmon?David Tucker Statecraft and Power Essays in Honor of Harold W. Rood Univ Pr of Amer?Christopher C. Harmon?David Tucker The Harpercollins Bible Commentary Harper San Francisco?James Luther Mays?Joseph Blenkinsopp?Beverly Roberts Gaventa?Jon D. Levenson?Wayne A. Meeks?Carol A. Newsom?David L. Petersen?Gene M. Tucker? Fundamentals of Computing Logic Problem Solving Programs and Computers Mcgraw-Hill College?Allen B. Tucker?W. James Bradley?Robert D. Cupper?David Garnick? Government By The People Texas Version Prentice Hall College Div?David B. Magleby?David M. O Brien?Paul Charles Light?James MacGregor Burns?J. W. Peltason?Thomas E. Cronin?L. Tucker Gibson?Clay Robison? Admiral of the Amazon John Randolph Tucker, His Confederate Colleagues and Peru Univ of Virginia Pr?David P. Werlich? Calculus Derive Supplement John Wiley & Sons Inc?Deborah Hallet-Hughes?Andrew M. Gleason?Daniel E. Flath?Sheldon P. Gordon?David O. Lomen?David Lovelock?Andrew Pasquale McCallum?Jeff Tecosky-Feldman?Joe B. Thrash?Karen R. Thrash? Empire of Liberty The Statecraft of Thomas Jefferson Oxford Univ Pr (Sd)?Robert W. Tucker?David C. Hendrickson? Empire of Liberty The Statecraft of Thomas Jefferson Oxford Univ Pr (Txt)?Robert W. Tucker?David C. Hendrickson? Multivariable Calculus John Wiley & Sons Inc?Daniel Flath?Andrew M. Gleason?Sheldon P. Gordon?David Mumford?Brad G. Osgood?Deborah Hughes-Hallett?Douglas Quinney?Wayne Raskind?Jeff Tecosky-Feldman?Joe B. Thrash? Dimensions of Non-Commercial Foodservice Management Van Nostrand Reinhold?Audrey C. McCool?Fred A. Smith?David L. Tucker? The Decline of Thrift in America Our Cultural Shift from Saving to Spending Praeger Pub?David M. Tucker? Skirmishes at the Edge of Empire The United States and International Terrorism Praeger Pub?David Tucker Integrating Knowledge and Practice The Case of Social Work and Social Science Praeger Pub?David J. Tucker?Charles Garvin?Rosemary Sarri? Principles and Practice of Mathematics (Textbooks in Mathematical Sciences) Springer?Robert Bumcrot?Paul Campbell?Joseph Gallian?Frank Giordano?Rochelle Wilson Meyer?Michael Olinick?Alan Tucker?David Arney?Inc. Comap? Morris Cox and the Gogmagog Pr Oak Knoll Pr?David Chambers?Colin Franklin?Alan Tucker? Second Language Education (Encyclopedia of Language and Education, V. 4) Kluwer Academic Pub?G. Richard Tucker?David Corson? Sonar in Fisheries Fishing News Bks.?David G Tucker? CARIS Review Including 1998-2005 Data CARIS - Congenital Anomaly Register & Information Service?Margery Morgan?Judith Greenacre?David Tucker The Basic English Language Skills Book for Students at Tertiary Level (AfricaSouth Learners) David Phillips Publishers?Julie-Anne Justus?Paul Tucker?Terry Volbrecht?Tony Grogan? Understanding Home Composting Behaviour University of Paisley?Peter Tucker?David Speirs? Stickman World Lulu.com?Author David J Tucker? The Fallen Sky Publishamerica Inc?David J. Tucker? Masks, Masques and Masquerades Early Dance Circle?Yana Zarifi?Karl Toepfer?Daniel Tercio?Anne Daye?Barbara Sparti?Barbara Segal?Margaret Coldiron?Frances E. Tucker?David Wilson? Private Tucker's Boer War Diary Elm Tree Bks.?Frederick Tucker?Pamela & Fordham, David Todd?David Fordham? World Health Market Euromonitor Pubns.?David Tucker Multivariable Calculus Preliminary Edition, Maple John Wiley & Sons Inc?William G. McCallum?Daniel Flath?Andrew M. Gleason?Sheldon P. Gordon?David Mumford?Brad G. Osgood?Deborah Huges Hallet?Douglas Quinney?Wayne Raskind?Jeff Tecosky Feldman? The Dog Ate My Homework DT Business Solutions?David Tucker Tuckers' Directory of the Surveyors 500 Tuckers Directories?Janet E. Ebdon?David C. Tucker?Harold Tucker? Elementary Electrical Network Theory (Commonwealth Library) Elsevier?David G. Tucker? Elementary Electrical Network Theory (Commonwealth Library) Elsevier?David G. Tucker? Kitchen Gardening in America A History Purdue Univ Pr?David M. Tucker? Applied Underwater Acoustics Elsevier?David G. Tucker?B.K. Gazey? Applied Underwater Acoustics Elsevier?David G. Tucker?B.K. Gazey? Let's Look at Launton Launton Historical Soc.?Pat Tucker?David Tucker The Imperial Temptation New York University Press?Robert W. Tucker?David C. Hendrickson? Stone Wall Freedom Pushbuttonpress.Com Inc?David Lee Tucker? Health, Wealth and Medicines for All? King s Fund?David Taylor?Andrew Tucker?
https://w.atwiki.jp/ransu/pages/12.html
以下は、http //schiphol.2ch.net/test/read.cgi/handygover/1244460430/l50から引用 【MHP2】ランスガンス専用攻略 ﾃﾝﾌﾟﾚｻｲﾄ【MHP2G】 質問前に、以下のサイト参照 【MHP2Gwiki】 http //www41.atwiki.jp/mhp2g/ 【MHP2G用ダメージ計算サイト】 http //wizeweb.net/mhp2gcalc/ 【MHP2時代のテンプレ】 http //2nd.geocities.jp/ransugansu/ransu/ransumhp2.html 【テンプレサイト】 (旧跡地) http //2nd.geocities.jp/ransugansu/index.html (wiki) 前スレ 【MHP2】ランスガンス専用攻略 ○突き目【MHP2G】 http 次スレは 950以降に現行スレで申告した上で立てて下さい テンプレは現行スレをそのままコピペするのではなく テンプレサイトを参照し、更新があればそちらをコピペして下さい
https://w.atwiki.jp/rubbish_ava/pages/20.html
掲示板 このクランに入りたい。友好クランになりたい。 などなど……下のコメント欄から、どうぞ 条件の「ＡＩノーマルソロ・クリアー」何回かチャレンジしましたが無理だったので、まだまだ修行がたりないようです。 -- ホシノ (2010-04-14 15 42 28) え？ウソでしょ？ホッシーの実力は俺が身をもって知っている！ナイフのみじゃ無くボムもも使ってやって良いんだよｗ -- 稜 (2010-04-14 17 26 44) ホッシーの問題は条件じゃなくVCで喋る事だと思ってたんだがｗAIクリアはあくまで目安。良くも悪くもたかがAIだ。実際の動きを知ってるホッシーならいつでも歓迎だぞｗ -- ＠き＠ (2010-04-15 11 55 34) 僕もホシノさんはかなり強いから良いと思いますｗ それにＡＩの動きになれると、対人戦やりづらくなりますしｗ -- ヴェイ (2010-04-15 13 46 22) ネタで書いたつもりが、返事がイッパイでどもドモです。 そして新米兵士(クラン員)になりましたのでよろしく！ -- ホシノ (2010-04-15 23 44 32) 分かってる人は分かってると思うがリアル事情のためインが著しく不定期になります。業務連絡以上ｗ -- けるびる (2010-04-19 21 12 16) 了解ｗみんな何かしら不定期だからな・・・気にするなｗ -- ＠ (2010-04-21 12 04 51) お世話になったが、又新たな旅に出るので、、、 -- ホシノ (2010-04-27 02 48 55) いってらっしゃいｗ -- @ (2010-04-28 11 13 33) 名前 コメント
https://w.atwiki.jp/matchmove/pages/99.html
Graph Editor Reference グラフエディタリファレンス グラフエディターはメインTOOLバーのグラフエディタボタン、メニューのWindow/Graph Editor 、F7キーから起動することができます。レイアウト内のビューポートとして表示することもできます。グラフエディターには多くのボタンはありますが、それらには、機能や特徴を確認するのに役立つ、広いtooltipsがあります。 たとえば、2つの主なモード（トラッカーモードとグラフモード）は下記のとおりです。 Tracks Mode Tracker 7 is unlocked and selected in the main user interface, and a selection of keys from trackers 6, 7, and 9 are selected in the graph editor. While the other trackers are automatic, #7 is now supervised and tracks in the forward direction (note the directionality in the key markers). The current frame # is off to the left, before frame 35. トラッカー7はメイン・ユーザ・インタフェースでアンロックで選択されています。トラッカー6、7、9からのキーセレクションはグラフ・エディタで選択されています。他のトラッカーがオートマチックである場合、#7は現在手動で、前方向（keyマーカーでは指向性を示しています）にトラッキングされています。フレーム35の前の、カレント・フレーム#は、左に離れています。 Graphs Mode 上記キャプチャ画像は、Camera01のグラフ表示です。赤・緑・青トレースは解析後のカメラX,Y,Zの速度です。 キー・マーク・フレーム毎のマゼンタ色のトレースは、ズームショットからの視野カーブです。 タイム・エリアはスクロール・モードにあります。グラフはフレーム62～130を表します、現在、フレーム117です。 Shared Features in All Modes 全モード共通の機能 Main Buttons メインボタン 左下のボタンです。選択されると、グリーンの縁になります。Tracks Mode. トラックモード グラフ・エディタをトラック・モードに切り替えます。Graphs Mode. グラフモード グラフ（カーブ）モードへ切り替えます。 Alpha, Error, Time Sort., , . アルファベット順、エラー順、タイム順ソート.。アルファベット順で、解析後のエラー順で、時間準でトラッカーをソートします。 Selected Only..オンのとき、グラフ・エディタの「Active Trackersアクティブトラッカー」ノードで選択されているトラッカーだけを表示します。 Reset Time. .タイムのリセット。タイム・スライダーは、グラフ・エディタの見える幅の範囲内で全体のショットを示すように調整されます。 Toolbar Display Mode.. ツールバー・ディスプレイ・モード このボタンをクリックするとツールバーの表示・非表示をします。そして、タイム・スライダー・エリアだけを底で表示されたままにしておきます。 このボタンを右クリックすると、ツールとタイム・エリアの両方を閉じます。グラフ・エディタがビューポートとして埋め込まれる時のための最小のビューです。タイムとツールを再表示するには、表示エリアの下の隙間をクリックしてください。 Show Status Background.. 表示ステータス・バックグラウンド オンのとき、そのフレームで見えるトラッカーの数が十分かどうかを示す色のついたバックグラウンドが示されます。数は、移動しているカメラ、三脚ショット、ホールド領域で異なります。 設定パネルで構成される「セーフカウント」が考慮されます、それより上の場合、バックグラウンドは白/グレーです。 セーフカウント以下の場合、それは緑の色になります。さらに少しのトラッカーの場合、重要でないレベルより上ならば黄色で、トラッカー数があまりにも少なすぎる場合、赤になります。アクティブトラッカー・ノードの#Normalと#Farデータ・チャネルも参照してください。 Squish Tracks..[Only in tracks mode.] 圧縮トラック（トラックモードのみ）。 オンのとき、全トラッカーは表示キャンバス・エリアにあわせて垂直に圧縮されます。これは、概要を見るのに良い方法です。 個々のキーの有無にかかわらずディスプレイを見ることができます： これは、3つの状態を持ちます：オフ、キー有り、キー無し。 3つのモードの間でボタン・シーケンスをクリックしてください。（右クリックすると逆方向で切り替わります）Draw Selected..[Only in graphs mode.] 描画選択。（グラフエディタのみ）ONの（通常）とき、全ての選択されたノードまたは開いているノードのカーブが描画されます。OFFの時開いているノードが描画されます。 Time Slider The graph editor time slider has two modes, controlled by the selector icon at left in the images below. Slider mode. The slider locks up with the canvas area above it, showing only the displayed range of times. Scroll mode. The slider area always shows the entire length of the shot. The dark gray box (scroll knob) shows the portion displayed in the canvas. In the time slider mode · left-click or –drag to change the current time. · Middle-drag to pan the canvas, or · right-drag to zoom/pan the time axis (same as in the canvas area and main SynthEyes time bar). In the time scroll mode · left-drag inside the gray scroll knob to drag the region being displayed (panning the canvas opposite from usual), · left-drag the blue current-time marker to change the time, · left-click outside the knob to “page” left or right, · double-click to center the knob at a specific frame, · middle-drag to pan the canvas in the usual way, or · right-click to expand to display the entire shot. Left Hierarchy Scroll This is the scroll bar along the left edge of the graph editor in both graph and tracks modes. In the hierarchy scroll · left-drag inside the knob to move it and pan the hierarchy vertically, · left-click outside the knob to page up or down, · right-click to HOME to the top, or · double-click to center on that location. The interior of the entire height of the scroll bar shows where nodes are selected or open, even though they are not currently displayed. You can rapidly see any of those open nodes by clicking at that spot on the scroll bar. Hierarchy/Canvas Gutter A small gutter area between the hierarchy and canvas area lets you expand the hierarchy area to show longer tracker names, or even to compress it down so that it can not be seen at all to save space if the graph editor is embedded in a complex layout. Note that the gutter can not be seen directly; it starts at the right edge of the white border behind selected hierarchy nodes, and the cursor will change shape to a left/right drag cursor. Tracks Mode Hierarchy Area The middle-mouse scroll wheel scrolls the hierarchy area vertically. Disclosure Triangle.. Click to expose or hide the node/nodes/tracks under this node. Visibility.. Show or do not show the node (tracker or mesh) in the viewports. Color. . Has the following modes for trackers; only the last applies to other node types · shift-click to add trackers with this color to the selection set, · control-click on the color square of an unselected tracker to select all trackers of this color, · control-click on the color square of a selected tracker to unselect all trackers of this color, or · double-click to set the color of the node (tracker or mesh). Lock.. Lock or unlock the tracker. Enable.. Tracker or spline enable or disable. Tracker Name. Selected nodes have a white background. Only some types of nodes can be selected, corresponding to what can be selected in SynthEyes s viewports. In the following list, keep in mind that only one of most objects can be selected at a time; only trackers can be multi-selected. · click or drag to select one node (updating all the other views), · control-click or drag to toggle the selection, · control-shift-drag to clear a range of selections, · shift-click to select an additional tracker, · shift-click an already-selected tracker to select the range of trackers from this one to the nearest selected one, or · double-click to change the name of a node (if allowed). Include in Composite.. When on (as shown), keys on this track are included in the composite track of its parent (and possibly in the grandparent, great-grandparent, etc). The ‘off’ key of an enable track is never included on a composite track. Mouse Modes The mouse mode buttons at the bottom center control what the mouse buttons do in the canvas area. Common operations shared by all modes · Middle-mouse pan, · Middle-scroll to change the current frame and pan if needed. · Shift-middle-scroll to zoom the time axis · Right-drag to zoom or pan the time axis (like the main timebar) · Right-click to bring up the track mode scanvas menu. Select Keys.. The shared operations plus · Left-click a key to select it, · Left-drag a box to select all the keys in the box, · Shift-left-click or –drag to add to the selected key set, · Control-left-click or –drag to remove from the selected key set. Re-time Keys.. The shared operations plus · Left-click a key to select it, · Left-drag a box to select all the keys in the box, · Left-drag selected keys to re-time them (shift them in time), · Control-left-drag to clone the select keys and drag them to a new frame, · Alt-left-drag to include keys on all tracks sharing keys. · Double-click keys to bring up the Set Key Values dialog. Add Keys.. The shared operations plus · Left-click a key to select it, · Left-click a location where there is no key to add one. · Left-drag a box to add keys at all possible key locations within the box. The value will be determined by interpolating the existing curve at the time the key is added. · Shift-left-click to add to the selected key set, · Double-click keys to bring up the Set Key Values dialog. Delete Keys.. The shared operations plus · Left-click a key to delete it, · Left-drag a region, all keys inside that can be deleted will be deleted. Squish Mode.This mode activates automatically when you select Squish mode with the keysnotshown(see Shared Features, above). With no keys shown, the key manipulation modes do not make sense. Instead the following mode, modified from the hierarchy s name area, is in effect · click or drag to select and flash one node, · control-click or drag to toggle the selection, · control-shift-drag to clear a range of selections, · shift-click to select an additional tracker, · shift-click an already-selected tracker to select the range of trackers from this one to the nearest selected one. Hierarchy Menu (Tracks mode) This menu appears when you right-click in the hierarchy area. Note that some menu items pay attention to the mouse location when you right-click. Home.Scrolls the hierarchy up to the top. End.Scrolls the hierarchy to the end. Close except this.Closes all the other nodes except the right-clicked one. Close all.Closes all nodes except the top-level Scene. Expose recursive.Exposes the clicked-on node, and all its children. Close recursive.Closes the clicked-on node,and all its children. Expose selected.Exposes all selected nodes. Close selected.Closes all selected nodes. Delete clicked.Deletes the node you right-clicked on.Note the delete key (on the keyboard) deletes keys, not nodes, in both the canvas and hierarchy areas. View Controls.The following items appear in the View Controls submenu, abbreviated as v.c. Note that most have equivalent buttons, but these are useful when the buttons are hidden. v.c./To Graph Mode.Change the graph editor to graphs mode. v.c./Sort Alphabetic.Sort trackers alphabetically (modified). v.c./Sort By Error.Sort trackers by average error. v.c./Sort By Time.Sort trackers by their start and end times (or end and start times, if the playback direction is set to backwards). v.c./List only selected trackers.List only the selected trackers, ‘Active Trackers’ node changes to ‘Selected Trackers.’ v.c./Lock time to main.The time bar is made to synchronize with the main timebar, for when the graph editor is embedded in a viewport. Not recommended, likely to be substantially changed in the future. v.c./Colorful background.Show the colorful background indicated whether or not enough trackers are present. v.c./Remove menu ghosts.Some OpenGL cards do not redraw correctly after a pop-up menu has appeared, this control forces a delayed redraw to remove the ghost. On by default and harmless, but this lets you disable it. This setting is shared throughout SynthEyes and saved as a preference. Canvas Menu (Tracks mode) The canvas menu is obtained by right-clicking (without a drag) within the canvas area. Many of the functions have icons in the main user interface, but the menu can be handy when the toolbars are closed, and it also allows keyboard commands to be set up. There are two submenus, Mode (abbreviated m.) and View Controls (abbreviated v.c.). m./Select. Go to select-keys mouse mode. m./Time. Go to re-time keys mouse mode. m./Add Keys. Go to add keys mouse mode. m./Delete Keys. Go to delete keys mouse mode. m./To Graph Mode. Change to graph mode. Reset time axis. Reset the time axis so the entire length of the shot is shown. Squish vertically. Squish the tracks vertically so they all can be seen. The keys will still be shown and can be selected, though if there are many tracks this may be hard. Squish with no keys. Squish the tracks vertically, and do not show the keys. Use the simplified hierarchy-type mouse mode to select trackers. Squish off. Turn off squish mode. Delete Selected Keys(all). Deletes selected keys outright, including in shared-key channel groups. Deleting a camera X key will delete keys on Y and Z also. See the graph editor right-click menu for different versions. Delete Selected Trackers. Deletes selected trackers. Approximate Keys. Replaces the selected keys with a smaller number thatapproximate the original curve. Exactify trackers. Replaces selected tracker position keys with new values based on the solved 3-D position of the tracker—same as the Exact button on theTracker Panel. v.c./Lock time to main.The time bar is made to synchronize with the main timebar, for when the graph editor is embedded in a viewport. Not recommended, likely to be substantially changed in the future. v.c./Colorful background.Show the colorful background indicated whether or not enough trackers are present. v.c./Remove menu ghosts.Some OpenGL cards do not redraw correctly after a pop-up menu has appeared, this control forces a delayed redraw to remove the ghost. On by default and harmless, but this lets you disable it. This setting is shared throughout SynthEyes and saved as a preference. Graphs Mode Hierarchy Area Disclosure Triangle.. Click to expose or hide the node/nodes/tracks under this node. Visibility.. Show or do not show the node (tracker or mesh) in the viewports. Color(node). . Has the following modes for trackers; only the last applies to other node types · shift-click to add trackers with this color to the selection set, · control-click on the color square of an unselected tracker to select all trackers of this color, · control-click on the color square of a selected tracker to unselect all trackers of this color, or · double-click to set the color of the node (tracker or mesh). Lock.. Lock or unlock the tracker. Enable.. Tracker or spline enable or disable. Tracker Name. Selected nodes have a white background. Only some types of nodes can be selected, corresponding to what can be selected in SynthEyes s viewports. In the following list, keep in mind that only one of most objects can be selected at a time; only trackers can be multi-selected. · click or drag to select one node (updating all the other views), · control-click or drag to toggle the selection, · control-shift-drag to clear a range of selections, · shift-click to select an additional tracker, · shift-click an already-selected tracker to select the range of trackers from this one to the nearest selected one, or · double-click to change the name of a node (if allowed). Show Channel(s).. When on (as shown), the channel s graph is drawn in the canvas area. On a node, controls all the channels of the node, and the control may have the on state shown, a partially-shown state (fainter with no middle dot), or may be off (hollow, no green or dot). Zoom Channel.. Controls the vertical zoom of this channel, and all others of the same type they are always zoomed the same to keep the values comparable. · Left-click to see all related channels (their zoom icons will light up) and see the zero level of the channel in the canvas area, and see the range of values displayed on the status line. · Left-drag to change the scale. It will change the offset to keep the data visible—hold the ALT key to keep the data visible over the entire length of the shot. · Right-click to reset the zoom and offsets to their initial values. · Double-click to auto-zoom each channel in the same group so that they have thesame scaleandsame offsets. Compare to double-clicking the pan icon. · Shift-double-click auto-zooms all displayed channels, not just this group. · Alt-double-click auto-zooms over the entire length of the shot, not just the currently-displayed portion. Can be combined with shift. Pan Channel.. Pans all channels of this type vertically. · Left-click to see the zero level of the channel in the canvas, and to show the minimum/maximum values displayed on the status line. · Left-drag to pan the channels vertically. · Right-click to reset the offset to zero. · Double-click to auto-zoom each channel in the same group so that they have thesame scalebutdifferent offsets. Compare to double-clicking the zoom icon. · Shift-double-click auto-zooms all displayed channels, not just this group. · Alt-double-click auto-zooms over the entire length of the shot, not just the currently-displayed portion. Can be combined with shift. Color(channel).. Controls the color of this channel, as drawn in the canvas · double-click to change the color for this exact node and channel only, for example, only for Tracker23, · shift-double-click to change thepreferencefor all channels of this type, or · right-click to change the color back to its preference setting. Mouse Modes The mouse mode buttons at the bottom center control what the mouse buttons do in the canvas area. Common operations shared by all modes · Middle-mouse pan, · Middle-scroll to change the current frame and pan if needed. · Shift-middle-scroll to zoom the time axis · Right-drag to zoom or pan the time axis (like the main timebar) · Right-click to bring up thecanvas menu. Select Keys.. The shared operations at top plus · Left-click a key to select it, · Left-drag a box to select all the keys in the box, · Shift-left-click or –drag to add to the selected key set, · Control-left-click or –drag to remove from the selected key set. Set Value. . The shared operations at top plus · Left-click a key to select it, · Left-drag a box (starting in empty space) to select all the keys in the box, · Shift-left-click or –drag to add to the selected key set, · Control-left-click or –drag to remove from the selected key set. · Left-drag a key or selected keys vertically to change their values. · Double-click a key or selected keys to bring up theSet Key Valuesdialog and set or offset their values numerically. Re-time Keys.. The shared operations at top plus · Left-click a key to select it, · Left-drag a box to select all the keys in the box, · Left-drag selected keys to re-time them (shift them in time), · Control-left-drag to clone the select keys and drag them to a new frame, · Alt-left-drag to include keys on all tracks sharing keys with the selected ones. · Double-click keys to bring up the Set Key Values dialog. Add Keys.. The shared operations at top plus · Left-click a key to select it, · Shift-left-click on a key to add to the selected key set. · Control-left-click on a key to remove it from the selected key set. · Left-click on a curve to add a key at that location. · Left-drag a box in empty-space to add keys at all possible key locations within the box. The value will be determined by interpolating the existing curve at the time the key is added. · Double-click keys to bring up the Set Key Values dialog. Delete Keys.. The shared operations at top plus · Left-click a key to delete it, · Left-drag a region, all keys inside that can be deleted will be deleted. Deglitch.. The shared operations at top plus · Left-click a curve or key to fix a glitch by averaging, or by truncating if it is the beginning or end of the curve.Warning do not try to deglitch the first frame of avelocitycurve—it is thesecondframe of the actual data. Turn on the position curve instead. · Control-left-drag to isolate on the curve under the mouse cursor. (Temporarily enters isolate mode.) Isolate.. Intended to be used when all trackers are selected and displayed. The shared operations at top plus · Left-click or -drag on a curve or key to isolate only that tracker, by selecting it and unselecting all the others. Keep the left mouse button down and roam around to quickly look at different tracker curves. · Right-clickon the isolate buttonat any time selects all the trackers, even if isolate mode is not active. Zoom.. The shared operations at top (except as noted) plus · Left-drag an area then release; then channel zooms and offsets are changed to display only the dragged region. Simulates zooming the canvas, but it is the zoom and pan of the individual channels that is changing. · Right-clickon the zoom buttonresets the pans and zooms—even if the zoom button is not active. Hierarchy Menu (Graph mode) This menu appears when you right-click in the hierarchy area. Note that some menu items pay attention to the mouse location when you right-click. Home.Scrolls the hierarchy up to the top. End.Scrolls the hierarchy to the end. Hide these curves.Turns off the display of all data channels of the node that was right-clicked. Close except this.Closes all the other nodes except the right-clicked one. Close all.Closes all nodes except the top-level Scene. Expose recursive.Exposes the clicked-on node, and all its children. Close recursive.Closes the clicked-on node,and all its children. Expose selected.Exposes all selected nodes. Close selected.Closes all selected nodes. Delete clicked.Deletes the node you right-clicked on.Note the delete key (on the keyboard) deletes keys, not nodes, in both the canvas and hierarchy areas. View Controls.The following items appear in the View Controls submenu, abbreviated as v.c. Note that most have equivalent buttons, but these are useful when the buttons are hidden. v.c./To Tracks Mode.Change the graph editor to tracks mode. v.c./Sort Alphabetic.Sort trackers alphabetically (modified). v.c./Sort By Error.Sort trackers by average error. v.c./Sort By Time.Sort trackers by their start and end times (or end and start times, if the playback direction is set to backwards). v.c./List only selected trackers.List only the selected trackers, ‘Active Trackers’ node changes to ‘Selected Trackers.’ v.c./Draw all selected nodes.Controls whether or not selected nodes are drawn, equivalent to the button on the user interface. v.c./Snap channels to grid.Controls whether or not channels being panned have their origin (zero value) snapped onto one of the horizontal grid lines. v.c./Lock time to main.The time bar is made to synchronize with the main timebar, for when the graph editor is embedded in a viewport. Not recommended, likely to be substantially changed in the future. v.c./Colorful background.Show the colorful background indicated whether or not enough trackers are present. v.c./Remove menu ghosts.Some OpenGL cards do not redraw correctly after a pop-up menu has appeared, this control forces a delayed redraw to remove the ghost. On by default and harmless, but this lets you disable it. This setting is shared throughout SynthEyes and saved as a preference. Canvas Menu (Graph mode) The canvas menu is obtained by right-clicking (without a drag) within the canvas area. Many of the functions have icons in the main user interface, but the menu can be handy when the toolbars are closed, and it also allows keyboard commands to be set up. There are two submenus, Mode (abbreviated m.) and View Controls (abbreviated v.c.). m./Select. Go to select-keys mouse mode. m./Value. Go to set-value mouse mode. m./Time. Go to re-time keys mouse mode. m./Add Keys. Go to add keys mouse mode. m./Delete Keys. Go to delete keys mouse mode. m./Deglitch. Go to deglitch mouse mode. m./Isolate On. Go to isolate mouse mode. m./Zoom. Go to zoom mouse mode. m./To Tracks Mode. Change to tracks mode. Reset time axis. Reset the time axis so the entire length of the shot is shown. Reset all channel zooms. Resets all channels to their nominal unzoomed range. Set to Linear Key. Sets all selected keys to be linear (corners). Set to Smooth Key. Sets all selected keys to be smooth (spline). Delete Selected Keys-only. Delete only the selected keys, which may require replacing the value instead of deleting the key. Example, you delete X key of a camera path. Y and Z have keys already. A new value is computed for X, what X would be if there was no key there. Since it must have a key, this computed value is used. Delete Selected Keys-all. Deletes selected keys outright, including in shared-key channel groups. Deleting a camera X key will delete keys on Y and Z also. See the graph editor right-click menu for different versions. Delete Selected Trackers. Deletes selected trackers. Approximate Keys. Replaces the selected keys with a smaller number thatapproximate the original curve. Exactify trackers. Replaces selected tracker position keys with new values based on the solved 3-D position of the tracker—same as the Exact button on theTracker Panel. v.c./Draw all selected nodes.Controls whether or not selected nodes are drawn, equivalent to the button on the user interface. v.c./Lock time to main.The time bar is made to synchronize with the main timebar, for when the graph editor is embedded in a viewport. Not recommended, likely to be substantially changed in the future. v.c./Snap channels to grid.Controls whether or not channels being panned have their origin (zero value) snapped onto one of the horizontal grid lines. v.c./Colorful background.Show the colorful background indicated whether or not enough trackers are present. v.c./Remove menu ghosts.Some OpenGL cards do not redraw correctly after a pop-up menu has appeared, this control forces a delayed redraw to remove the ghost. On by default and harmless, but this lets you disable it. This setting is shared throughout SynthEyes and saved as a preference. Set Key Values Dialog Activated by double-clicking a key from the graph or tracks views to change one or more keys to new values, specified numerically. If multiple keys are selected when the dialog is activated, the values can all be set to the same value, or they can all be offset by the same amount, as selected by the radio buttons at the bottom of the panel. The value is controlled by the spinner, but also by up and down buttons for each digit. You can add 0.1 to the value by clicking the ‘+’ button immediately to the right and below the decimal point. The buttons add or subtract from the overall value, not from only a specific digit. Right-clicking an up or down button clears that digit and all lower digits to zero, rounding the overall value. The values update into the rest of the scene as you adjust them. When you are finished, click OK or Cancel to cancel the change. Approximate Keys Dialog This dialog is launched by right-clicking in the canvas area of the graph editor, when it is in graphs mode, then selecting the Approximate Keys menu item. Approximate Keys does what the name suggests, examining the collection of selected keys, and replacing them with a smaller number that produces a curve approximating the original. This feature is typically used on camera or moving object paths, and zooming field of view curves. Fine Print SynthEyes approximates all keys between the first-selected and the last-selected, including any in the middle even if they are not selected. All channels in the shared-key channel group will be approximated if you have selected keys on the X channel of the camera, the Y and Z channels and rotation angles will all be approximated because they all share key positions. You can select the maximum number of keys permitted in the approximated curve, and the desired error. SynthEyes will keep adding keys until it reaches the allowed number, or the error becomes less than specified, whichever comes first. The error value isper mil(‰), meaning a part in a thousand of the nominal range for the value, as displayed in the SynthEyes status line when you left-click the zoom control for a channel. For example, the nominal range of field of view is 0 to 90, so 1 per mil is 0.09 degrees. In practice the exact value should rarely matter much. At the bottom of the display, the error and number of keys will be listed. You can dynamically change the number of keys and error values, and watch the curves in the viewport and the approximation report to decide how to set the approximation controls.
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Multinational Enterprise An Encyclopedic Dictionary of Concepts and Terms Ankie Hoogvelt?Anthony G. Puxty? Landscape Planning (The Built Environment Series) Tom Turner? CAD and Robotics in Architecture and Construction Proceedings of the Joint International Conference at Marseilles, 25-27 June 1986 The Ergonomics Payoff Designing the Electronic Office Rani Lueder? Architectural Design and CAD Yvon Gardan? Challenges in Educational Management Principles into Practice W. F. Dennison? Developing Auto-Instructional Materials From Programmed Texts to Cal and Interactive Video (Instructional Development, No 2) A. J. Romiszowski? Assessing Students How Shall We Know Them? Derek Rowntree? Dictionary of Computing Information Technology A. J. Meadows?M. Gordon?A. Singleton? Teaching Mathematics 5 to 11 David Lumb? Teaching Mathematics 5 to 11 David Lumb? Doing Business in Korea Arthur M. Whitehill? Air Conditioning Impact on the Built Environment A. F. C. Sherratt? Playgrounds The Planning, Design and Construction of Play Environments Peter Heseltine?John Holborn? The Art and Craft of Course Design Tony Earl? Leadership Training Through Gaming Power, People and Problem-Solving Elizabeth M. Christopher?Larry E. Smith? The Marketing Mirage How to Make It a Reality Colin McIver? Simulations A Handbook for Teachers and Trainers Ken Jones? A Business Plan Planning for the Small Business Alan West? Understanding Teenagers' Reading Reading Processes and the Teaching of Literature Jack Thomson? Prolog, Children and Students (Fifth Generation Computing in Education Series) Jon Nichol?Jonathan Briggs?Jackie Dean? Developing Student Autonomy in Learning David Boud? The Skills of Interviewing A Guide for Managers and Trainers Leslie Rae? Corporate Cash Management Philippa L. Back?